Thank You Harvey!

Props going out to my friend Harvey. He called me the other day and asked if I’d heard of the band Breakestra. He described them as “young kids playing James Brown grooves.” I said I hadn’t, and he told me I should check them out. He said they were listening to them on Pandora. I had heard of Pandora, but I never checked it out. It’s great! Free music, and so many artists I haven’t heard! So, while listening to the Breakestra station, I found this band called Poets of Rhythm–a German funk band! Can you believe it? So I downloaded some Breakestra and Poets of Rhythm from iTunes. See–free Internet radio results in music sales! Oh, and Pandora also has an app for the iPod Touch. So I downloaded that, too. So now, I can plug my Touch into my iPod alarm clock, run the Pandora app, and listen to Internet radio as I drift off to sleep. Cool! Thanks a lot, Harv!

Friday Fill In #111

1. It seems like I’m always climbing, and stumbling, and climbing, but I keep on tryin’. (Toby Keith?)

2. Put the lid down when you’re done, please?

3. If I thought you would give me a million dollars I’d drink a bucket of melted lard!

4. Great love songs is are what I think of most when I think of you. (See Van Morrison’s “Crazy Love,” or Matthew Sweet’s “Your Sweet Voice,” or Al Green’s “Let Stay Together,” or, or, or!

5. To me, Valentine’s Day means there’s a special day set aside for everyone to think about love–the kind of love that Susan and I celebrate every day!

6. The LORD gives me strength.

7. And as for the weekend, tonight I’m looking forward to not playing any gigs, tomorrow my plans include relaxing and watching a movie with the kids, and Sunday, I want to teach my new Sunday School class without looking like a total doofus!

Another Crazy Music Dream

Last night’s dream went something like this:

Blind Albert had secured a gig as the soundman for a Stewart Copeland gig in Boston. (For those of you who didn’t click the link in the previous post, Stewart Copeland was the drummer for The Police, and one of my favorite drummers.) Blind Albert said he’dd like me to come along and help, but there were two catches: I’d need to fly to MA, and I’d have to buy a ticket. For the chance to be so close, and work with, such an amazing talent, I said yes.

I got to the concert. Stewart was already set up. He hit his snare drum. (Stewart’s snare has a signature sound: high pitched, with lots of air and crack. Incidentally, in real life I own one of his signature snares!) It sounded awful! He came up to me, and admitted he wasn’t great at tuning drums. I sorta pride myself on being a good drum tuner. I listened to his snare, and realized his bottom head was way too loose. I cranked it up for him, and then that signature sound was back. He played his first song. I don’t remember what it was. After it was done, he got up, and went to the bar that was set up behind his drum kit, and started to mix himself some cocktails. He also poured himself about five shots of Sambuca. He proceeded to drink them all. He was talking to the audience the whole time, and you could here in his voice he was getting intoxicated. He then wandered off “stage” (which was in the round–you sat all around his drums, which were set up on the floor of the club). Everyone started talking, trying to figure out what was going on. After a few minutes, on the side of the club opposite where Stewart exited, a video began to play on a big screen. The screen was covered by a translucent curtain; you couldn’t tell what was playing on the screen, but you knew something was. The curtain pulled away, and then you could see it was the video for Roxanne. “Ah,” I thought “this is all part of the show.” Sure enough, Stewart came back on stage from behind the screen–meaning he entered from the opposite way he left. I remember thinking “How’d he get over there without anyone seeing him?” The next thing I know, he’s dancing with some girl in front of the screen. They’re just slow dancing like two drunks, holding on to each other, shuffling around in a circle, each one almost trying to hold the other up. It seemed rather odd they would slow dance to a song with the intensity of Roxanne, but that’s what they did.

When the song was over, Stewart announced the concert was over, and he went and mixed himself some more drinks. I went up to him and said “Do you realize all these people came down to hear you play, and you only played one song!” He said (in a Brittish accent–which is odd because he’s an American who was raised in the Middle East–and he doens’t speak with a bit of English accent) “Aw man, I though I played two songs!” And I replied “No, you didn’t. And not only did I buy a ticket to see you, but I bought a plane ticket to be here!” At that point I said to Blind Albert, “C’mon, let’s get on the stage and play some Police songs for these people.” (And, of course in real life, Blind Albert and I don’t play any Police songs. OK, once in a while we drag out Message in a Bottle.) So we proceed to play Spirits in a Material World. Stewart blasts on stage, screaming drunk. I’m really upset. “Hey man, I look up to you. See…” I said pointing between my legs “…here’s my Stewart Copeland signature snare! I went out and bought this because I like your sound so much!” He said something like “If you keep playing my songs, I’m going to stick these drumsticks in your ear!” And I said “I’d like to see you try.” So he does this drunken lunge towards me. He’s so out of it, I easily twist him around, and have him on the floor. I’ve got him sitting on the ground, and I’ve got his arm twisted behind him. The bartenders are on the phone to the cops, and they’re asking them to come out and drag Stewart off! I then tell him something like “Now I’m going back behind those drums, to play music–your music–to these people who came out to see you, not me! And now I’ve got to play for them ’cause you’re too much of a drunk to care!” And as I started to head for the drums, the crowd started cheering, and Stewart, still sitting on the floor, hung his head in shame and embarassment.

Crazy Dream, Two Guitar Players

I had this strange dream last night. Paddy and I were going to play this gig with Three Button Deluxe. We got to the gig, which was in this old Odd Fellows Hall turned bar with an outside bandstand ala Union Fair kinda thing. (Sorry for those of you who’ve never seen the Union Fair bandstand. Picture a covered porch.) I’m setting up the drums. I pull my snare stand out of the hardware bag. In my dream, it’s a snare stand made by the North drum company. The only problem is that this snare stand is incredibly complicated. And, mine has fallen apart. In my dream I’m thinking “There are only two people in the world who can fix this: me and Stewart Copeland.” In my dream, it’s almost time for us to get started, so I don’t have time to fix this intricate snare stand. (Incidentally, North Drums didn’t make any wicked fancy, complicated snare stands. It’s just some silly thing my brain made up for me in my dream.) I decide not to bother to fix it. It’s about 15 minutes before we start to play. Chris Poulin, the back-up guitar player we sometimes use when Quick can’t make a gig has arrived, and he’s brought Quick’s PA system. Quick is supposed to be playing this gig, but hasn’t arrived yet. Paddy is running around, trying to get the PA set up before we start to play. I start to pull a floor tom out of one of my drum bags, and I notice the bag is all wet. I can see through the clear drum heads that water has soaked into the wooden drum, and the bearing edge is thick with soaked-up water. The drum appears to be made out of OSB, and the drum has just soaked up all kinds of water, and basically fallen apart.

The end.

Mel’s Play Along MI-5

Here’s what you do. I start a story with five words. You continue the story with five more words. The next person adds five words, and so on, until we have 300 pages that will take Stephen King out of the best seller slot. Ready? Continue the story in the comments section.

“She knew the envelope contained…”